Showing posts with label Lighting. Show all posts
Showing posts with label Lighting. Show all posts

Tuesday, August 31, 2010

Before & After, Episode 16

Being that I was a recording artist and aspiring rock star in a past life, I have a special place in my heart for shooting promo images of musically-gifted people.  Although this certainly wasn't my typical band promo shoot (because my subjects weren't rock-n-rollers this time around, but rather internationally recognized DJs/producers Viro and Rob Analyze), the basic premise was still the same-- create some visually engaging images of the highest quality (suitable for worldwide distribution) that really capture their style and personality.  Basically, these guys were looking for CD cover & liner notes shots, as well as a few images to include in marketing materials and on websites.

For the shot below, I used a 3-light setup-- two on either side as rim lights/kickers (as you can see from the "before" image), and a beauty dish up front as key.  The kickers were fitted with barn doors and 30° grids, and the beauty dish also had a 30° grid on it.  I'll be adding stripboxes to my lighting rig in the near future, which will provide much more even illumination on the sides of my subjects, but that's a topic for another post.

I had my subject probably 12-14 feet from the background to control spill and ensure that the light falloff from my strobes would keep it solid black.  I used a black shower curtain (yes, you read that right!) because it was handy, and because I was really only concerned about keeping his head/hair surrounded by blackness-- I knew that the rest of him would be quite easy to extract later in post, but hair is always much more challenging if the background isn't solid.

Speaking of post, once I got my subject cut out, I began applying the special effects.  The background was simply a pure black layer onto which I drew a tic-tac-toe pattern with the brush tool and applied a radial blur.  I then colorized it green & beige with a Hue/Saturation layer.  For the particle effects, I used several different splatter brushes, sampling the color from the edge of his skin/clothing.  I also used those same brushes to apply a mask along the edge, which provides the "disintegration" effect.  Lastly, I really amped up the contrast with LOTS of dodging/burning to polish everything off.

To see the before & after, just move your mouse pointer over the image for a few seconds until it changes.  Then you can switch them back and forth as much as you like.

ROLLOVER IMAGE
Tampa band musician dj promo
For further examples of my work, including high school senior pictures, baby & family portraits, and fashion & glamour, please visit my website at http://RussRobinsonPhotography.com

VERY interested in hearing everyone's feedback on this one, because I really pushed the envelope and took some major risks here. Fortunately the client loved it, but what do YOU think? Please sound off below, and be sure to Like/Share!









Monday, July 5, 2010

Band Promo Shoot With Adalee | WESLEY CHAPEL SENIOR PICTURES

As I mentioned in a previous post on shooting band promos, my studio isn’t quite large enough to accommodate several people at once.  So when a local Christian rock band called Adalee (which consists of 5 members- all of whom go to my church) approached me about shooting their promo, I immediately began thinking along the lines of digital compositing.  If you’re not a regular reader of my blog and aren’t quite familiar with that term, it basically means taking individual shots of each member and then later combining them together in Photoshop.

This is my favorite method of producing band/group shots, because it allows me the freedom to select the best individual poses for each member.  When they're all blended together into a seamless composite, it appears as if the stars just aligned perfectly and everyone gave you the ideal expression and pose simultaneously, and in the same frame.  I gotta tell ya, it sure beats shooting for hours and hoping for this sort of thing to happen organically (believe me-- I've been there!).

Anyway, here are the 5 original unedited shots:

ZH3A8310 ZH3A8329 ZH3A8335 ZH3A8332 ZH3A8297

In order to make the composite look believable and not scream “PHOTOSHOPPED”, I had to completely replace the background, because as you can see from the above photos, there are some major differences in the lightness levels from one shot to the next.  So I basically created a nice, smooth gray background from scratch in Photoshop using the radial gradient tool. To put the finishing touches on the image, I darkened the bottom half to draw the viewer’s eye more toward their faces, where the focus really oughtta be.  Here’s the final result:

For further examples of my work, including high school senior pictures, baby & family portraits, and fashion & glamour, please visit my website at http://RussRobinsonPhotography.com

Questions?  Comments?  Please leave me a comment below, and click “Like” along the way!










Wednesday, June 30, 2010

Before & After, Episode 14 | WESLEY CHAPEL MATERNITY PHOTOGRAPHER

In continuing with this recent maternity kick I'm on, I'd like to show you yet another example of an image that was heavily manipulated to achieve the final effect.  While I'm a huge advocate of getting things right in-camera, sometimes knowing a thing or two about Photoshop can come in really handy.

One of the first things I noticed about this image when I pulled it into Lightroom was that the hand and flower weren't in the ideal position vertically on her belly.  When I was originally taking the shot, I told my subject to just let her her arm hang fairly loosely, which put her hand (and the flower) in a much lower position.  I thought it would look better in the final shot, but it turns out that I was wrong.

To move the hand & flower higher up on my subject's belly and  into a more visually appealing location, here's the procedure that I used:
  1. Duplicate the background layer
  2. Drop the opacity of this new layer down to around 20%
  3. Use the Move tool in conjunction with Free Transform to reposition the hand/flower in the new location
  4. Mask out everything but the hand/flower
  5. Go back to the background layer and clone out the original hand/flower
Aside from that, I performed some light "digital plastic surgery" to alter the shape of her belly, and of course I reduced (but not removed) some of the skin blemishes that I found to be rather distracting.  The background is nothing more than a lavender-to-white radial gradient, with the subject, hand, and flower masked out.  Please let me know if further detail would be helpful.

To see the before & after, just move your mouse pointer over the image for a few seconds until it changes. Then you can switch them back and forth as much as you like.

Maternity Pregnancy Photography
For further examples of my work, including high school senior pictures, baby & family portraits, and fashion & glamour, please visit my website at http://RussRobinsonPhotography.com









Sunday, June 27, 2010

Pic-A-Week, Episode 3 | NEW TAMPA MATERNITY PHOTOGRAPHER

Maternity photography can be a rather difficult thing to do well, because the focus generally needs to be on the baby bump, and there are really only so many ways that you can shoot it without being clichè. Of course you can choose to change the scenery by leaving the studio behind and heading outdoors, but it will probably make things rather difficult if your client wants more of an intimate portrait.

So fortunately for me, as I now begin my maternity portfolio in earnest, the "client" happens to be my beautiful wife. We are expecting our precious Ainsley Claire in August, so the time is perfect for me to jump into this new genre feet first. I have been looking at lots of other photographers' work over the past couple of months trying to get a little bit of inspiration, and this particular image was inspired by a shot from the great Sandy Puc'.

To achieve the lighting effect, I placed a beauty dish with a 10° gridspot behind and slightly to the right of my wife, who was laying on the floor. I had my camera mounted on a tripod, and the tripod had to have the center pole inverted in order for me to get the camera low enough to the ground to get the angle I wanted. I then focused on her belly, put the 10-second timer on, and ran over to quickly drop into position behind her. Fortunately it only took a few shots to get it right, as I was getting out of breath from all the running around!

The shot was later processed in Nik Silver Efex Pro, and then some additional dodging and burning was performed in Photoshop to [de]emphasize certain areas and really put on the finishing touches. I hope you enjoy looking at it as much as I enjoyed putting it together! If so, hook me up with a "Like" and a comment. Thanks ya'll! =)










Monday, June 21, 2010

Before & After, Episode 13 | NEW TAMPA SENIOR PICTURES

This shot comes from the same senior portrait session that I referenced in a previous post.  It's a typical example of the kind of fashion/glamour retouching that I normally do for my modeling clients, which includes:
  1. Skin smoothing (while still retaining texture)
  2. Removal of major blemishes
  3. Reduction of dark circles under eyes
  4. Eye & teeth whitening
  5. Removal of stray hairs
  6. Lip color enhancement
  7. Iris enhancement
  8. Tonal contrast boost (using luminosity, dodging & burning, and a few other techniques)
  9. Eyebrow cleanup/enhancement
  10. Minor facial reshaping
Obviously, this young lady was quite beautiful to begin with, and by most folks' standards she didn't really need to be "enhanced".  However, to be a successful commercial photographer these days it's an absolute MUST to achieve a mastery of the latest high-end beauty retouching techniques.  So I give all of my fashion, glamour, and senior portrait clients the 5-star treatment to really accentuate their best features and make them look like they just stepped off the cover of Cosmo.  It's relatively difficult to find photographers who have expertise in this area, so I continue to study, practice, and improve my craft constantly. 

To see the before & after, just move your mouse pointer over the image for a few seconds until it changes.  Then you can switch them back and forth as much as you like.

New Tampa Senior Pictures & Portraits

As always, I am more than happy to share my post techniques with anyone who is interested, and I'd be delighted if you'd click "Like" and share your thoughts in a comment below.  Thanks!








Tuesday, June 1, 2010

An Exercise In Digital Compositing | WESLEY CHAPEL BAND PROMO PHOTOGRAPHER

What do you do if you've been asked to put together a promo shot for a band consisting of 4 members, and your studio space isn't quite big enough to pull it off?  Freak out and tell them you just can't do it?  Of course not......Photoshop to the rescue!

Not only does this method save you the hassle of trying to squeeze 4 people into a space that was really designed for a single model, but it also affords you quite a bit of flexibility in terms of shot selection.  In other words, you can mix and match the best individual shots to your heart's content in order to come up with the best overall composite.  So you basically don't have to worry about capturing good facial expressions on all 4 faces in a single frame.

Here are the 4 original SOOC shots:



Using Photoshop CS5's new masking tools, extracting a subject from a solid-color background has never been easier.  You just draw a rough selection around the subject with the Lasso tool, add a mask, and then use the Refine Edge dialog to decontaminate the excess color (in this case, white).  Then just take the individual shots that you want to composite together and drop them onto a large white canvas in Photoshop.

One last thing I had to do in this case was use the Free Transform tool to adjust each band member's size relative to the others.  In order to figure out who was taller than who in real life, I had to go back to a previous shot that I had done of this same band.  Of course I could have saved myself quite a bit of time by simply using a tripod and shooting each person from the exact same position and angle, but I'll just have to take that as a "note to self" for next time.  Anyway, here's the final composite:


Ever use this technique yourself?  Plan to use it in the future?  Please tell me about it in a comment below, and click "like" along the way!  :-)










Friday, April 16, 2010

Before & After, Episode 12 | NEW TAMPA MUSIC PROMO PHOTOGRAPHER

For this episode I'm going to show you what I consider to be probably one of the best examples of Photoshop retouching in my entire portfolio. This shot's got it all― from color correction, barrel distortion, tons of dodging and burning, compositing― you name it. I basically had to throw the kitchen sink at this one, because I wanted to absolutely knock it out of the park and give this band some proper representation for the awesome music they create. Here's the before & after image (hold your mouse cursor over it for 3-4 seconds to see the difference):



To the right is a screenshot of my Layers pallette in Photoshop.  Actually, this still doesn't even show several more layers that I flattened beforehand, and several other minor adjustments that I have made since, but it gives you a general idea of the kind of work that goes into a shot like this.  I would guess that I logged about 10 total hours on this one, which is much more than my images usually require.

  1. As you look through my pallette, working from the bottom, you will see that the first thing I did was use a B&W adjustment layer for some subtle contrast (simply change the blend mode to Soft Light).
  2. I then used a simple "defog" action that I wrote to add a little bit of midtone contrast.  
  3. I forget what I did in the next layer, but above that you'll see that I made use of a Photoshop plugin called Imagenomics Portraiture to clean up their faces a little bit.  
  4. The barrel distortion layer fixed the "lean" of my buildings so that they stood straight up (check the before & after image again to see the change a little better).  
  5. I later desaturated the image slightly using another B&W adjustment layer, and then dropped in a new sky.  
  6. The sky was too warm to match the lighting in the scene, so I cooled it off with a Photo Filter.
  7. Next I made use of yet another plugin, called Topaz Adjust.  I absolutely love this plugin for adding local contrast and a variety of other effects.
  8. Some other minor adjustments were made next-- a High Pass layer for some contrast and selective sharpening, and a screen layer with a mask to selectively brighten a couple of the band members' faces.
  9. Then some dodging and burning for selective contrast
  10. A Hue/Sat layer to take some of the redness and saturation out out the guitarist's face (I actually took his whole body from a completely different photo (lots of compositing going on for this shot)
  11. I then had to work on the sky with some blur to remove noise
  12. Next I ran my defog action again, but masked out everything but the buildings in the background.
  13. Lastly (but not really, since there were other steps later), I did some more dodging and burning.
If you have any questions about any of the steps above, or would like further explanation/clarification on anything, please leave me a comment.  Otherwise, if you just wanna give me some feedback-- good, bad, or indifferent, please do so.  As I mentioned before, I absolutely LOVE hearing your comments!








Southside Serendade - 4/10/10 | NEW TAMPA BAND PROMO PHOTOGRAPHY

I was asked to do a promo shoot for a local Tampa band called Southside Serenade recently, and I simply couldn't pass up a great opportunity to break into the local music scene with my photography business. I met the the lead singer, Addison Arfaras, when he responded to a Craigslist ad I had placed for a Fender Hot Rod Deluxe guitar amp. He soon saw all the cameras, lights, and other equipment I had sitting around in my home studio, and the conversation quickly turned to band photography. So Addison, me, and the rest of the band ended up driving down to the University of Tampa campus last weekend to do our shoot.

The band's drummer, Tony Martin, had recently spotted this old drawbridge near the campus, and thought it might make for a great shooting location.  However, once we got there, we discovered that the drawbridge was completely blocked off on one side, so we were forced to go across to see if the other side was open.  It was, but I quickly realized that there simply wasn't enough room width-wise for me to position my lighting gear far enough away from the band.  Plus, the ground was really uneven, being that it was essentially railroad tracks with a strip of rocks on either side-- not good for setting up expensive lights that could easily fall over into the water!

So we scoped out the area even more, and eventually found what I'll call a "grassy knoll", which allowed us to still get the drawbridge into the shot (albeit in the background), and also gave me plenty of room for my lights.  Here's a setup shot of the location, showing my 3 Alien Bees firing-- two on the sides/rear, and one in a beauty dish in front and up above the group:


That large, black, boxy-looking thing sitting on a stand on the left side of the image is my viewing station, which consists of a ThinkTank Pixel Sunscreen 2.0 with my laptop inside.  It allows me to check my exposure on a much larger screen than I get with the tiny LCD on the back of the camera (which is especially small on a Canon 1Ds Mark II).

I grabbed several frames of the band with that drawbridge in the background, but never could seem to find a composition I really liked, so I shifted everyone and everything about 30 feet to the right to get the downtown Tampa skyline into the shot.  Here's an unedited, SOOC (straight out of the camera) shot from this location, which will soon be featured in a "Before & After" post:










Tuesday, April 6, 2010

Before & After, Episode 11 | WESLEY CHAPEL SENIOR PORTRAIT PHOTOGRAPHER

This time around it's a double header, kiddies...so strap yourselves in and let's take a ride.  ;-)

The first image you'll already be familiar with, since I presented it in my last blog post.  I did receive a few questions from readers about the distracting background, and my response was that I simply wasn't shooting for portfolio images (and therefore didn't really care about it at the time).  However, I later realized that I had originally promised my "model" that he'd get a Facebook profile pic out of the deal, so off to Photoshop land I went....

I extracted him out of the original background using a tool called ReMask from Topaz Labs.  It's a fairly decent "quick and dirty" extraction tool when the item you're trying to extract has a fairly well-defined edge and there is clear separation from the background.  However, I wouldn't use it for anything too complex, because it starts to get a little squirrely with your edges, and you'll end up saying a few more curse words than you would if you had used a REAL extraction tool like Vertus Fluid Mask.  Anyway, I digress.

I found a nice stock image of a Nissan 350Z on Flickr (photo credit Jeremy Cliff), and decided it would make a much more appealing backdrop for my model, since he also happens to drive a 350Z.  I dropped him into the scene as a new layer, used the free transform tool (while holding the Shift key, which constrains the proportions) to adjust him down to a smaller size relative to the car, and proceeded to make all sorts of adjustments to the lighting.  That's the real key to making believable composites-- you absolutely *have* to pay very close attention to the lighting or it will scream "PHOTOSHOPPED!".

Anyway, when all was said and done there were a number of adjustment layers......mostly Curves and Levels with different masks applied, and also a couple of Dodge & Burn layers.  Sorry that I didn't take detailed notes of all the steps I took, or I would gladly share them with you.  I'm more than willing to answer any questions you may have about the process, though.  So here's the before & after image (roll over it with your mouse):


The second image was taken in my studio that same day, and basically he was laying on his belly with a Lastolite TriGrip Reflector under his elbows and a beauty dish above his head.  It was inspired by an image I had seen on legendary high school senior photographer Kirk Voclain's website a couple of months earlier.  As far as post processing:

  1. I cleaned up his skin a bit using the High Pass filter (here's an excellent tutorial on this technique)
  2. I added some additional contrast using another High Pass filter (again, here's a great site explaining 3 great uses for this filter)
  3. I enhanced the color of his eyes by creating a new layer, lassoing his irises with the elliptical marquee tool, filling the selection with a bright blue, changing the blend mode to Color, and reducing opacity to taste
  4. For the most dramatic change, I blended in a texture of a scratched surface, and masked out his eyes and most of his face with a reduced-opacity, soft brush.
  5. Lastly, I created a merged layer at the top of my stack (Ctrl+Alt+Shift+E) (or Cmd+Opt+Shift+E for Mac users), added a Gaussian Blur, then applied mask using the Gradient Tool in linear gradient mode so that only the top and bottom edges of the photo would be a little blurry.  Kind of gives the photo a little more interest, and helps to draw the viewer's eye to those of my model.
Check out the before and after below.  I think the image has much more drama and "punch" now, don't you?  Please let me know your thoughts by leaving a comment.  I absolutely LOVE hearing your feedback and all the many different fascinating perspectives you share with me.  It's what truly makes this all worthwhile.  Enjoy!










Sunday, April 4, 2010

Learning a New High-Contrast Lighting Technique | NEW TAMPA SENIOR PORTRAIT PHOTOGRAPHY

So I've got this band promo shoot coming up in a couple of weeks for a local act called Southside Serenade, and I wanted to be as prepared as possible for the lighting setup I plan to use. Honestly, most of my studio stuff is fairly straightforward lighting-wise, and I've pretty much got it to the point where I don't even think about it anymore. But out on location you've got a number of factors to consider, such as the amount of ambient light, the quality/color of that light, weather, wind, space limitations, etc. Basically, I didn't want to have to deal with all of that on top of figuring out a new lighting setup for the first time, so I called a good friend over to sort of "model" for me. Besides, he needed a new Facebook profile pic anyway. ;-)

This lighting technique involves 3 strobes, two on either side of the subject and slightly behind them, and then one light up front as key. Generally the sidelights, also called "kickers" or "rim lights", should be about a stop and a half hotter than your key light (having a light meter is very handy in these types of situations-- I use a Sekonic L-358). It's a very dramatic, contrasty kind of lighting that is very popular these days, and I think it's a good technique to have in your back pocket alongside your usual setups. Now, bear in mind that I wasn't exactly shooting for portfolio-worthy images here-- I was merely experimenting with a new lighting technique....so don't start playa hatin'.  ;-)

Anyway, so I shot this with three Alien Bees B1600 strobes. The two in back were fitted with their standard 7" reflectors along with a set of barn doors to help control the spread of light. I could have just as easily used gridspots instead of barn doors (which I'll try next time), or gone with the 7" reflectors by themselves, but this time around I just happened to have the barn doors attached. The key light was fitted with a 16" beauty dish and a diffusion sock.

Here's a setup shot showing all 3 strobes firing (again, this isn't portfolio-worthy stuff.....I'm sure you'll be quick to notice that this shoot took place right in my back yard.  Hey- I said no hatin'!!):


Now bear in mind that this was just before 5PM Eastern, so the direct sun was still blazing.  In order to overpower the sun and produce the effect you see (which looks more like 7:30PM), I had to put my 2 rear strobes on pretty much full power.  That's the beauty of shooting with high-powered strobes-- you have maximum control over the light in any given situation.  Now, if I had Elinchrom Rangers instead of Alien Bees, I could make daytime look like midnight....pretty dang cool.  Maybe one day I'll be cool (and rich) enough to be able to drop several grand on a strobe setup.  But until then, it's okay to dream, right?

So anyway, that's pretty much all you gotta do....set up your lights, adjust the ratio so that your kicker lights are about a stop and a half hotter than your key, use your light meter to determine the appropriate shooting aperture, put your camera on Manual, and go to town.  Below is the effect you'll get (notice the "rim" light on the edge, which really helps separate him from the background, and the hard light on his cheeks that really gives kind of a sculpted/chiseled appearance).  If you have any questions, or would like some pointers on where to find great lighting information on the Net, please leave a comment or drop me an email.

PS - no, this wasn't edited in the slightest, and yes I need to clean my sensor.  ;-)









Friday, January 22, 2010

Ligman Family - 11/22/09 | WESLEY CHAPEL BABY FAMILY PHOTOGRAPHER

The Ligmans brought their adorable son, Jack, over for a family shoot a couple of months ago. We grabbed a few studio shots and then headed outside to let Jack burn off some of that endless energy! I had an absolute blast rolling around in the grass with him and making a total fool of myself! But it was all worth it, as Jack gave us some of his best smiles of the day, and we ended up getting some great shots of him with Mom and Dad. Enjoy!










Thursday, November 5, 2009

John Miseroy - 10/31/09 | NEW TAMPA FASHION GLAMOUR PHOTOGRAPHY

My long-time friend John stopped by for a quick shoot the other day. He's a musician in my church's worship band (among others), and wanted to see I could help him construct a particular image he's had in his head for some time now (the "floating guitar" shot below). Once we felt like we nailed that one, we decided to grab a few extra "modeling" shots to spiff up his Facebook profile a little. I really like how a few of these came out-- leave me a comment below if you do too.











Wednesday, July 22, 2009

Shannon Landers - 7/3/09 | NEW TAMPA BEAUTY GLAMOUR PHOTOGRAPHER

Aspiring model and all-around sweetheart Shannon Landers stopped by a few weeks ago to update to her modeling portfolio. The pics she had done up that point weren't all that great in my opinion, so I wanted to give her something that really did her justice and accentuated her natural beauty. She was pretty thrilled with the final product, and I have to admit that she looks amazing in these.

As I often say, if you really want to increase your chances of making great photos, choose beautiful subjects! Enjoy....










Sunday, May 24, 2009

Devon Baxter - 5/22/09 | NEW TAMPA FASHION GLAMOUR PHOTOGRAPHER

Last Friday I finally got the opportunity to direct my first fashion/glamour shoot, and I had a blast! Devon was amazing, and she really knew how to work the camera well. We went through a variety of different clothing changes and looks, and I even got to try out some new lighting techniques, which I was pretty stoked about. Here are the best photos from the shoot:










About Me

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Tampa, FL, United States
I'm a commercial photographer in Tampa, FL specializing in band & musician promos, CD covers, press kits, posters, and the like. Please feel free to check out my website/blog using the link below, and give me a shout if I can be of service to you!

http://TampaBandPhotos.com

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