Showing posts with label Southside Serenade. Show all posts
Showing posts with label Southside Serenade. Show all posts

Tuesday, June 1, 2010

An Exercise In Digital Compositing | WESLEY CHAPEL BAND PROMO PHOTOGRAPHER

What do you do if you've been asked to put together a promo shot for a band consisting of 4 members, and your studio space isn't quite big enough to pull it off?  Freak out and tell them you just can't do it?  Of course not......Photoshop to the rescue!

Not only does this method save you the hassle of trying to squeeze 4 people into a space that was really designed for a single model, but it also affords you quite a bit of flexibility in terms of shot selection.  In other words, you can mix and match the best individual shots to your heart's content in order to come up with the best overall composite.  So you basically don't have to worry about capturing good facial expressions on all 4 faces in a single frame.

Here are the 4 original SOOC shots:



Using Photoshop CS5's new masking tools, extracting a subject from a solid-color background has never been easier.  You just draw a rough selection around the subject with the Lasso tool, add a mask, and then use the Refine Edge dialog to decontaminate the excess color (in this case, white).  Then just take the individual shots that you want to composite together and drop them onto a large white canvas in Photoshop.

One last thing I had to do in this case was use the Free Transform tool to adjust each band member's size relative to the others.  In order to figure out who was taller than who in real life, I had to go back to a previous shot that I had done of this same band.  Of course I could have saved myself quite a bit of time by simply using a tripod and shooting each person from the exact same position and angle, but I'll just have to take that as a "note to self" for next time.  Anyway, here's the final composite:


Ever use this technique yourself?  Plan to use it in the future?  Please tell me about it in a comment below, and click "like" along the way!  :-)










Friday, April 16, 2010

Before & After, Episode 12 | NEW TAMPA MUSIC PROMO PHOTOGRAPHER

For this episode I'm going to show you what I consider to be probably one of the best examples of Photoshop retouching in my entire portfolio. This shot's got it all― from color correction, barrel distortion, tons of dodging and burning, compositing― you name it. I basically had to throw the kitchen sink at this one, because I wanted to absolutely knock it out of the park and give this band some proper representation for the awesome music they create. Here's the before & after image (hold your mouse cursor over it for 3-4 seconds to see the difference):



To the right is a screenshot of my Layers pallette in Photoshop.  Actually, this still doesn't even show several more layers that I flattened beforehand, and several other minor adjustments that I have made since, but it gives you a general idea of the kind of work that goes into a shot like this.  I would guess that I logged about 10 total hours on this one, which is much more than my images usually require.

  1. As you look through my pallette, working from the bottom, you will see that the first thing I did was use a B&W adjustment layer for some subtle contrast (simply change the blend mode to Soft Light).
  2. I then used a simple "defog" action that I wrote to add a little bit of midtone contrast.  
  3. I forget what I did in the next layer, but above that you'll see that I made use of a Photoshop plugin called Imagenomics Portraiture to clean up their faces a little bit.  
  4. The barrel distortion layer fixed the "lean" of my buildings so that they stood straight up (check the before & after image again to see the change a little better).  
  5. I later desaturated the image slightly using another B&W adjustment layer, and then dropped in a new sky.  
  6. The sky was too warm to match the lighting in the scene, so I cooled it off with a Photo Filter.
  7. Next I made use of yet another plugin, called Topaz Adjust.  I absolutely love this plugin for adding local contrast and a variety of other effects.
  8. Some other minor adjustments were made next-- a High Pass layer for some contrast and selective sharpening, and a screen layer with a mask to selectively brighten a couple of the band members' faces.
  9. Then some dodging and burning for selective contrast
  10. A Hue/Sat layer to take some of the redness and saturation out out the guitarist's face (I actually took his whole body from a completely different photo (lots of compositing going on for this shot)
  11. I then had to work on the sky with some blur to remove noise
  12. Next I ran my defog action again, but masked out everything but the buildings in the background.
  13. Lastly (but not really, since there were other steps later), I did some more dodging and burning.
If you have any questions about any of the steps above, or would like further explanation/clarification on anything, please leave me a comment.  Otherwise, if you just wanna give me some feedback-- good, bad, or indifferent, please do so.  As I mentioned before, I absolutely LOVE hearing your comments!








Southside Serendade - 4/10/10 | NEW TAMPA BAND PROMO PHOTOGRAPHY

I was asked to do a promo shoot for a local Tampa band called Southside Serenade recently, and I simply couldn't pass up a great opportunity to break into the local music scene with my photography business. I met the the lead singer, Addison Arfaras, when he responded to a Craigslist ad I had placed for a Fender Hot Rod Deluxe guitar amp. He soon saw all the cameras, lights, and other equipment I had sitting around in my home studio, and the conversation quickly turned to band photography. So Addison, me, and the rest of the band ended up driving down to the University of Tampa campus last weekend to do our shoot.

The band's drummer, Tony Martin, had recently spotted this old drawbridge near the campus, and thought it might make for a great shooting location.  However, once we got there, we discovered that the drawbridge was completely blocked off on one side, so we were forced to go across to see if the other side was open.  It was, but I quickly realized that there simply wasn't enough room width-wise for me to position my lighting gear far enough away from the band.  Plus, the ground was really uneven, being that it was essentially railroad tracks with a strip of rocks on either side-- not good for setting up expensive lights that could easily fall over into the water!

So we scoped out the area even more, and eventually found what I'll call a "grassy knoll", which allowed us to still get the drawbridge into the shot (albeit in the background), and also gave me plenty of room for my lights.  Here's a setup shot of the location, showing my 3 Alien Bees firing-- two on the sides/rear, and one in a beauty dish in front and up above the group:


That large, black, boxy-looking thing sitting on a stand on the left side of the image is my viewing station, which consists of a ThinkTank Pixel Sunscreen 2.0 with my laptop inside.  It allows me to check my exposure on a much larger screen than I get with the tiny LCD on the back of the camera (which is especially small on a Canon 1Ds Mark II).

I grabbed several frames of the band with that drawbridge in the background, but never could seem to find a composition I really liked, so I shifted everyone and everything about 30 feet to the right to get the downtown Tampa skyline into the shot.  Here's an unedited, SOOC (straight out of the camera) shot from this location, which will soon be featured in a "Before & After" post:










About Me

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Tampa, FL, United States
I'm a commercial photographer in Tampa, FL specializing in band & musician promos, CD covers, press kits, posters, and the like. Please feel free to check out my website/blog using the link below, and give me a shout if I can be of service to you!

http://TampaBandPhotos.com

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